Gen Paul, Le Quart du Tourlourou, Vins, Fleurs et Flammes, Limited Edition Lithograph
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Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered. Paper Size: 12.75 x 10 inches. Excellent condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by M. Georges Duhamel, the L'Académie française, Grand Officier du Tastevin, Paris; rendered by Daniel Jacomet, Paris; printed by l'atelier Jacomet, Paris, November 17, 1956. Excerpted from the volume (translated from French), M. Georges Duhamel from the L'Académie française, Grand Officier du Tastevin has received for all of his work, and in particular for his collaboration on Vins, Fleurs et Flammes, A Travers Nos Vignes, the literary prize of the brotherhood of the Knights of Tastevin for 1956, done and given at the Castle of the Clos de Vougeot in Burgundy, November 17, 1956. It was pulled CCCLXXX examples on vélin d'Arches spécial, numbered from I to XXX examples, including an original watercolor from Uzelac, a suite on Japan from the off-text of the book, a suite on Japon from the variants of Uzelac, and two original etchings, one signed by Bertin and the other by Uzelac. Numbers of XXXI in examples with a continuation on Japon of the illustrations of the book and the variant and an original etching by Bertin. Issues from LI to CCCLXXX examples on vélin d'Arches spécial.
GEN PAUL (1895–1975) was a French painter and engraver. Born as Eugène Paul in a house in Montmartre on the Rue Lepic painted by Van Gogh, he began drawing and painting as a child. His father died when he was only ten years old and Gen Paul was trained to work in decorative furnishings. He served in the French army during World War I and was wounded twice, losing one of his legs. During his convalescence, he returned to painting, and at Le Bateau-Lavoir he became friends with Juan Gris who helped him a great deal. Although Paul never received any formal training, he made a living from his art for almost 60 years. While his early works reflected the influences of his friends in Montmartre, Vlaminck, Utrillo and Frank Will, he soon developed dynamic form of expressionism reflecting influences as varied as Toulouse-Lautrec, Van Gogh, Cézanne, Goya, Velázquez and El Greco. Between 1925 and 1929, he produced many of his best works. The paintings during this phase are characterized by motion created by gestural brush strokes, daring compositions, forced perspectives, diagonals, zigzags, juxtaposed areas of abstraction and realism and flat areas of color. Unlike other expressionists of the time such as Soutine, Rouault and the German expressionists, Gen Paul's works are full of optimism – fueled by his passion for life and daily life and his desire to overcome his handicap. Due to the dynamism and motion inherent in his paintings, some consider Paul to be the first action painter, a precursor to the abstract expressionists of the 1950s.
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