Woodcut on vélin cuve de Rives paper. Paper size: 9.65 x 7.87 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis Broder, Paris, June 18, 1965. Excerpted from the folio (translated from French), This album was completed to print, June 18, 1965 in Paris. Original collective edition drawn of one hundred and fifty examples on vélin cuve de Rives, numbered 1 to 130 and I to XX. Some examples are intended for companions. All examples are signed by the artists on the colophons. The unique lithography of Wols, and the etching of Dominguez are their last engraved works. Apart from the edition it was drawn proofs on large margins on various papers, all justified and signed by the artists. The woods and coppers have been striped and the stones erased after the draw. HANS JEAN ARP (1886-1966), something of a one-man movement, he could—and did—make anything into art. Best-known for his biomorphic sculptures, and one of the most versatile creative minds of the early-20th century, he fashioned sculptures out of plaster, stone and bronze, and also expressed himself in paintings, drawings, collages, and poems. His approach to form, often referred to as organic abstraction, was remarkably consistent: his wavy lines suggested plants, body parts and other natural motifs, while remaining entirely abstract. Like an extraterrestrial on earth for the very first time, Arp's genius was in presenting visual information as if he is first seeing it. Transformation, growth, fecundity, and metamorphosis are among the dominant themes in his work. Arp was in the milieu of Pablo Picasso and Henri Matisse.