Silkscreen on Mohawk Superfine Bristol paper. Paper size: 24 x 20 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Published by the Wadsworth Atheneum Museum of Art, Hartford; printed by Sirocco Screenprints, Inc., North Haven, 1964, in an edition of D. Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. AD REINHARDT (1913-1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting. Most famous for his "black" or "ultimate" paintings, he claimed to be painting the "last paintings" that anyone can paint. He believed in a philosophy of art he called Art-as-Art and used his writing and satirical cartoons to advocate for abstract art and against what he described as "the disreputable practices of artists-as-artists". He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as Abstract Expressionism. He was also a member of The Club, the meeting place for the New York School abstract expressionist artists during the 1940s and 1950s.