Lithograph on vélin d’Arches paper. Paper size: 15 x 11 inches. Excellent condition. Unsigned and unnumbered, as issued. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Claires, Paris; printed by Mourlot Frères, Paris, May 20, 1965. Excerpted from the volume (translated from French), The lithographs of Derain and Van Dongen were shot by Lucien Détruit; those of Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavailles, Terechkovitch and Carzou were shot by Mourlot Frères; those of Picasso and Buffet were shot by P.J. Ballon; Miró's was shot in l'atelier Arte, who also printed, in phototypy, the frontispice. The Villon and Zadkine etchings were shot by Manuel Robbe; Braque's was shot by A. and P. Crommelynck; the illustrations of Vlaminck, Rouault, Pascin and Utrillo were engraved on wood and shot by Raymond Jacquet. André Warnod's texts, collected by his daughter, Jeanine Warod, were composed by hand in De Roos de corps 24 and printed in Paris on the presses of Daragnès. Finished printing on May 20, 1965. Justification of the draw: 3 examples on grand vélin d’Arches with the inked coppers of an illustration in taille-douce; a silk test of two lithographs; the four illustrations engraved on wood, framed; a decomposition of the colors of a lithograph; a complete suite on Arches of the illustrations, numbered 1-3. 16 examples on grand vélin d’Arches with a silk proof of two lithographs; the four illustrations engraved on wood, framed; a decomposition of the colors of a lithography; a complete suite on Arches of illustrations, numbered from 4 to 19. 21 examples on grand vélin d’Arches comprising of a silk proof of two lithographs; the four illustrations engraved on wood, framed; a complete suite on Arches of the illustrations, numbered from 20 to 40. 40 examples on grand vélin d’Arches with a complete suite on Arches of the illustrations, numbered from 41 to 80. 170 examples on grand vélin d’Arches, numbered from 81 to 250 ANDRE DUNOYER DE SEGONZAC (1884–1974) was a French painter and graphic artist. In 1947, he published his suite of etchings illustrating the Georgics of Virgil. In the judgement of Anne Distel, chief curator of the Musée d'Orsay, "The technical perfection and the nobility of the tone, which carried the cachet of the original, but was imbued throughout with an unfailing lyricism, make this work Segonzac's masterpiece. It must be included in a list of the most beautifully illustrated books of [the 20th] century." The gossamer quality of his etchings stood in contrast to the thickly painted surfaces and generally somber color of his oil paintings, which reflected his admiration for Courbet and Cézanne. His subjects include landscapes, still lifes, and nudes. He influenced other artists like Samuel Peploe. Prolific until the very end of his life as a painter in oils and watercolor, and as a printmaker, Segonzac died at age 90 in 1974. He was married to the actress Thérèse Dorny.