André Dunoyer de Segonzac, Composition, Lettre à mon peintre Raoul Dufy, Limited Edition Lithograph
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Lithograph on vélin d'Arches Arjomari paper. Paper size: 11.81 x 9.45 inches. Excellent condition. Unsigned and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie académique Perrin et Cie, Paris; printed by Fernand Mourlot, Paris, July 22, 1965. Excerpted from the folio (translated from French), The typography of this book is due to L'Imprimerie nationale. Mr. André Brignole being Director, and Paul Lajun as head of typography. The composition was made with the Garamont corps 20 propriété exclusive du grand Établissement d'État sur les presses. The printing was completed on July 22, 1965. Color lithographs and black drawings as well as manuscripts were pulled on Fernand Mourlot's presses. Henri Jadoux was the director in charge of the work. It was taken from this book XXXV examples on vélin B. F. K. de Rives numbered from I to XXV, accompanied by a suite of lithographs and an original etching signed by Jacques Villon; CMLXXV examples on vélin B. F. K. de Rives numbered from XXVI to M, accompanied by a series of lithographs V̅ examples on Arjomari vélin numbered from MI to V̅I̅, and finally CC examples out of trade.
ANDRE DUNOYER DE SEGONZAC (1884–1974) was a French painter and graphic artist. In 1947, he published his suite of etchings illustrating the Georgics of Virgil. In the judgement of Anne Distel, chief curator of the Musée d'Orsay, "The technical perfection and the nobility of the tone, which carried the cachet of the original, but was imbued throughout with an unfailing lyricism, make this work Segonzac's masterpiece. It must be included in a list of the most beautifully illustrated books of [the 20th] century." The gossamer quality of his etchings stood in contrast to the thickly painted surfaces and generally somber color of his oil paintings, which reflected his admiration for Courbet and Cézanne. His subjects include landscapes, still lifes, and nudes. He influenced other artists like Samuel Peploe. Prolific until the very end of his life as a painter in oils and watercolor, and as a printmaker, Segonzac died at age 90 in 1974. He was married to the actress Thérèse Dorny.
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