Lithograph and stencil on vélin paper. Paper size: 8.27 x 10.83 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique, 1929. Published by Éditions Charles Moreau, Paris; printed by Atelier Daniel Jacomet, Paris, May, 1929. Excerpted from the album (translated from French), This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maîtres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. ANDRE LHOTE (1885-1962) was a French Cubist painter of figure subjects, portraits, landscapes and still life. He was also active and influential as a teacher and writer on art. After initially working in a Fauvist style, Lhote shifted towards Cubism and joined the Section d'Or group in 1912, exhibiting at the Salon de la Section d'Or. He was alongside some of the fathers of modern art, including Gleizes, Villon, Duchamp, Metzinger, Picabia, Picasso and La Fresnaye. The outbreak of the First World War interrupted his work and, after discharge from the army in 1917, he became one of the group of Cubists supported by Léonce Rosenberg. In 1918, he co-founded Nouvelle Revue Française, the art journal to which he contributed articles on art theory until 1940.