Etching on vélin pur chiffon de Rives paper. Unsigned and unnumbered. Paper Size: 9.875 x 12.875 inches. Excellent condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesneville, Paris, March 2, 1946. Excerpted from the folio (translated from French), Printing was finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of Lacourière for the etchings by Henri Matisse and Dignimont; the etching of J.G. Daragnes was engraved by himself; the typography, which is composed of Garamond was printed on the presses of the Master Printer, G. Girard. This collection of sixteen original etchings, alternating with sixteen unpublished writings, CCC examples have been drawn, including XXXVIII on Monival and hand numbered from I to XXXVIII; and, CCLXII on Rives BFK, numbered from XXXIX to CCC. XL examples have been drawn for hors commerce on Lana a la forme have been numbered form of I to XL. JACQUES MARET (1900-1980) was a renowned French artist whose artworks are known for their intricate details and realistic depictions. He is especially renowned for his evocative portrayals of the French countryside and its people. His impressive body of works is defined by the delicate use of light and shadow, expertly combining traditional techniques with modern details. Jacques Maret's characteristic style is often seen in his paintings of rural life, depicting meaningful stories and creating an emotional atmosphere. His most notable works include the painting La Récolte des Fruits en Bourgogne, the lithography L'Anglaise, and the engraving Blé dans un Pré.