Etching on vélin pur chiffon de Rives paper. Unsigned and unnumbered. Paper Size: 9.875 x 12.875 inches. Excellent condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesneville, Paris, March 2, 1946. Excerpted from the folio (translated from French), Printing was finished on March 2, 1946 on the presses of atelier Quesneville for thirteen etchings; on the presses of Lacourière for the etchings by Henri Matisse and Dignimont; the etching of J.G. Daragnes was engraved by himself; the typography, which is composed of Garamond was printed on the presses of the Master Printer, G. Girard. This collection of sixteen original etchings, alternating with sixteen unpublished writings, CCC examples have been drawn, including XXXVIII on Monival and hand numbered from I to XXXVIII; and, CCLXII on Rives BFK, numbered from XXXIX to CCC. XL examples have been drawn for hors commerce on Lana a la forme have been numbered form of I to XL. PIERRE DUBREUIL (1872-1944) was a French photographer, born in Lille, who spent his career in France and Belgium. As a pioneer of modernist photography, Dubreuil embraced innovative techniques and ideas that were celebrated, criticized, and at times, overlooked. Over the course of his career, which was interrupted by both World Wars, Dubreuil's work was shown at the Photo-Club de Paris, the Albright Gallery exhibition in Buffalo, New York, the Little Gallery of the Amateur Photography Magazine in London, and the Royal Photographic Society. In 1988, more than forty years after Dubreuil's death, photographer and collector Tom Jacobson revived interest in his work, seeking out long-forgotten and displaced works that culminated in an exhibition at the Musée d'Art Moderne, Centre Georges Pompidou in Paris (October 28, 1987 – January 5, 1988).