Etching on vélin du Lana Papiers Spéciaux pur fil paper. Paper Size: 10.0625 x 8.25 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Du cubisme, 1947. Published by Compagnie Française des Arts Graphiques, Paris; printed by Thirot, Le Maître-Imprimeur, Paris, July 3, 1947. Excerpted from the album (translated from French), Du cubisme...was completed to print on July 3, 1947 by R. Girard & Cie for the typography and by the Compagnie Française des Arts Graphiques for the plates in copperplate engraving, le maître, Thirot being presser. Du cubisme was completed to print on July 1, 1947. The draw includes: No. I. example on papier d'Auvergne with some states and two suites of the plates. No. II to XX. examples on papier d'Auvergne with two suites of the boards. No. XXI to XXXV. examples on papier d'Auvergne with a suite of plates. No. XXXVI to CDXXXV. examples on papier pur fil Lana. In addition, XX examples were printed on papier Lana, numbered in Roman numerals for the Dépôt Légal and collaborators. ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.