Lithograph on vélin d’Arches paper. Paper size: 15.5 x 24 inches. Excellent condition, with centerfold, as issued. Inscription: unsigned and unnumbered, as issued. Notes: from the folio, Regards sur Paris, 1962. Published by André Sauret, Paris; printed by Mourlot Frères, Paris, January 22: 1963. Excerpted from the folio (translated from French), Original lithographs of André Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Marc Chagall, Dunoyer de Segonzac, André Masson, Pablo Picasso, Kees van Dongen, Jacques Villon. Printed completed on January 22: 1963 on the presses de l'Imprimerie Nationale de France, Daniel Gibelin, director. Georges Arnoult, inspector of typography. This work was composed by hand in characters called "Romain du Roi Corps” engraved in 1699 by Grandjean on the order of Louis XIV, the original lithographies were drawn by Mourlot Frères, and the stones erased after printing. Justification of the draw; one hundred and eighty examples on a grand vélin d'Arches décomposant as follows: ten examples, numbered to the press from 1 to 10, including a sequel on japon nacré, the original lithographies signed by the artists and a sequel on Arches; twenty examples, numbered to the press from 11 to 30, including a suite on Arches of the original lithographies; one hundred and twenty examples, numbered from 31 to 150; thirty non-trade examples, marked H.C., reserved for the authors, artists and artisans of the folio. All colophons are signed by the ten authors and the ten artists. ANDRE MASSON (1896-1987) was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. Masson shared a Paris studio with Joan Miró and was in the milieu of Picasso.