Etching on vélin du Lana Papiers Spéciaux pur fil paper. Paper Size: 10.0625 x 8.25 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Du cubisme, 1947. Published by Compagnie Française des Arts Graphiques, Paris; printed by Thirot, Le Maître-Imprimeur, Paris, July 3, 1947. Excerpted from the album (translated from French), Du cubisme...was completed to print on July 3, 1947 by R. Girard & Cie for the typography and by the Compagnie Française des Arts Graphiques for the plates in copperplate engraving, le maître, Thirot being presser. Du cubisme was completed to print on July 1, 1947. The draw includes: No. I. example on papier d'Auvergne with some states and two suites of the plates. No. II to XX. examples on papier d'Auvergne with two suites of the boards. No. XXI to XXXV. examples on papier d'Auvergne with a suite of plates. No. XXXVI to CDXXXV. examples on papier pur fil Lana. In addition, XX examples were printed on papier Lana, numbered in Roman numerals for the Dépôt Légal and collaborators. MARIE LAURENCIN (1883-1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier, and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." She had a forty years long love relationship with fashion designer Nicole Groult.