Etching on vélin cuve de Rives paper. Paper size: 9.65 x 7.87 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis Broder, Paris, June 18, 1965. Excerpted from the folio (translated from French), This album was completed to print, June 18, 1965 in Paris. Original collective edition drawn of one hundred and fifty examples on vélin cuve de Rives, numbered 1 to 130 and I to XX. Some examples are intended for companions. All examples are signed by the artists on the colophons. The unique lithography of Wols, and the etching of Dominguez are their last engraved works. Apart from the edition it was drawn proofs on large margins on various papers, all justified and signed by the artists. The woods and coppers have been striped and the stones erased after the draw. WINFREDO LAM 林飛龍 (1902-1982),was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.