Etching on vélin cuve de Rives paper. Paper size: 9.65 x 7.87 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis Broder, Paris, June 18, 1965. Excerpted from the folio (translated from French), This album was completed to print, June 18, 1965 in Paris. Original collective edition drawn of one hundred and fifty examples on vélin cuve de Rives, numbered 1 to 130 and I to XX. Some examples are intended for companions. All examples are signed by the artists on the colophons. The unique lithography of Wols, and the etching of Dominguez are their last engraved works. Apart from the edition it was drawn proofs on large margins on various papers, all justified and signed by the artists. The woods and coppers have been striped and the stones erased after the draw. ANDRE MASSON (1896-1987) was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured. Masson shared a Paris studio with Joan Miró and was in the milieu of Picasso.