Lithograph on vélin d’Arches paper. Paper size: 15 x 11 inches. Excellent condition. Unsigned and unnumbered, as issued. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Claires, Paris; printed by l'atelier Arte-Maeght, Paris, May 20, 1965. Excerpted from the volume (translated from French), The lithographs of Derain and Van Dongen were shot by Lucien Détruit; those of Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavailles, Terechkovitch and Carzou were shot by Mourlot Frères; those of Picasso and Buffet were shot by P.J. Ballon; Miró's was shot in l'atelier Arte, who also printed, in phototypy, the frontispice. The Villon and Zadkine etchings were shot by Manuel Robbe; Braque's was shot by A. and P. Crommelynck; the illustrations of Vlaminck, Rouault, Pascin and Utrillo were engraved on wood and shot by Raymond Jacquet. André Warnod's texts, collected by his daughter, Jeanine Warod, were composed by hand in De Roos de corps 24 and printed in Paris on the presses of Daragnès. Finished printing on May 20, 1965. Justification of the draw: 3 examples on grand vélin d’Arches with the inked coppers of an illustration in taille-douce; a silk test of two lithographs; the four illustrations engraved on wood, framed; a decomposition of the colors of a lithograph; a complete suite on Arches of the illustrations, numbered 1-3. 16 examples on grand vélin d’Arches with a silk proof of two lithographs; the four illustrations engraved on wood, framed; a decomposition of the colors of a lithography; a complete suite on Arches of illustrations, numbered from 4 to 19. 21 examples on grand vélin d’Arches comprising of a silk proof of two lithographs; the four illustrations engraved on wood, framed; a complete suite on Arches of the illustrations, numbered from 20 to 40. 40 examples on grand vélin d’Arches with a complete suite on Arches of the illustrations, numbered from 41 to 80. 170 examples on grand vélin d’Arches, numbered from 81 to 250 ANDRE WARNOD (1885-1960) was a French writer, goguettier, art critic, and illustrator, who witnessed the artistic scenes of Montmartre and Montparnasse during the 1910s-1930s. André Warnod was the first to coin the term "École de Paris" (School of Paris) in an article for Comœdia, published on January 27, 1925. He reiterated this term in October of the same year in the introduction to his book "Les berceaux de la jeune peinture" (The Cradles of Young Painting). He was a member, alongside other well-known or lesser-known personalities, of the goguette du Cornet. During World War I, he served in the Russian Ambulances, led by Colonel Dimitri d'Osnobichine. He was a member of the Mortigny circle, founded by Dimitri d'Osnobichine, in 1908 which brought together numerous artists and regulars of Parisian life: Bernard Boutet de Monvel, Pierre Brissaud, Georges Villa, Guy Arnoux, Joë Hamman, Lucien-Victor Guirand de Scevola, Joseph Pinchon, Paul Poiret, Pierre Troisgros, Jean Routier, Henri Callot, Pierre Falize, Pierre Prunier, a circle that operated until the 1950s.