Silkscreen on Mohawk Superfine Bristol paper. Paper size: 29 x 24 inches. Excellent condition. Inscription: unsigned and unnumbered, as issued. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Published by the Wadsworth Atheneum Museum of Art, Hartford; printed by Sirocco Screenprints, Inc., North Haven, 1964, in an edition of D. Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. ANDY WARHOL (1928-1987) was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol is considered one of the most important artists of the 20th century. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, sculpture, photography, and filmmaking. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67). Warhol has been described as the "bellwether of the art market". His artwork is regarded as extremely collectible and valuable. His work include the most expensive paintings ever sold. In 2013, Silver Car Crash (Double Disaster) (1963) sold for $105 million, setting a record for the artist. In 2022, Shot Sage Blue Marilyn (1964) sold for $195 million, which is the highest price paid at auction for a work by an American artist.