Lithograph on vélin de Rives paper. Paper size: 14.5 x 10.75 inches. Excellent condition. Inscription: hand signed and unnumbered, as issued. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philippe Lebaud, Éditeur, Paris; printed by Mourlot Frères, Paris, March 15, 1972. Excerpted from the volume (translated from French), The circulation of this work from the collection Variations has been limited to 190 examples which are justified as follows: twenty examples on Japon Nacré, numbered from 1 to 20 to which was attached a suite on Rives des lithographies and an original gouache; thirty examples on Auvergne numbered from 21 to 50 to which a suite on Rives des lithographies was attached; one hundred and forty examples on Rives numbered from 51 to 190. A non-commercial example marked 0 was drawn for each of the employees of the edition. Completed on March 15, 1972, the edition was produced under the direction of Alain Bosquet and Philippe Lebaud with the collaboration of Jacques de Cornulier and Jean-François Fouquereau and the contribution of Pierre Jean Mathan for typography. The lithographs of Cremonini, Fred Deux, Delmotte, Hélion, Herold, Masson and Peverelli, were drawn at the workshops of Fernand Mourlot; the lithographs of Coutaud and Labisse at the workshops of Jacques Desjobert; the lithographs of Aillaud, Dufour, Ferrer, Man Ray and Monory at the workshops of Clot, Bramsen and Georges; the lithographs of Leonor Fini, Lamy, Lepri and Rohner at the workshops of René Guillard; the lithographs of Baj and Lunven at the workshops of Michel Cassé. The binding was executed by Jacques Ebrard based on a model by Paul Mc Lennon. The texts and lithographs bear the autographs of their authors. CESARE PEVERELLI (1922-2000) began his artistic career in 1939 when he attended the Brera Academy of Fine Arts and was a pupil of Achille Funi and Carlo Carrà. Through Ennio Morlotti, he came into contact with the Corrente group, preferring however to the chromatic lighting of the neo-cubism the tonalism of Giorgio Morandi. He tied himself to the Argine Numero magazine and was in 1946 among the signatories of the Oltre Guernica poster. In 1947, at the Italian art exhibition today. Turin Prize, he won the Grosso Award, met Cesare Pavese and began to collaborate with the Einaudi publishing house, and produced the cover of La nausea by Jean Paul Sartre (1948).