Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered. Paper Size: 13.5 x 10.5 inches. Excellent condition. Notes: From the folio, A La gloire à Paris, 1937. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. CHARLES CAMOIN (1879-1965) was a French expressionist landscape painter associated with the Fauves. Born in Marseille, France, Camoin met Henri Matisse in Gustave Moreau's class at the École des Beaux-Arts in Paris.[1] Matisse and his friends (including Camoin, Henri Manguin, Albert Marquet, Georges Rouault, André Derain and Maurice de Vlaminck) formed the original group of artists labeled the Fauves (meaning "the wild beasts") for their wild, expressionist-like use of color. Camoin always remained close to Matisse. He painted a portrait of Matisse, which is in the permanent collection of the Pompidou Museum in Paris. Charles Camoin's works have been widely shown in France and are in such major collections as the Musée d'Art Moderne de la ville de Paris in addition to the Centre Georges Pompidou and many of the French regional museums. In 1955, he was awarded the Prix du Président de la République at the Biennale of Menton. He died in Paris on 20 May 1965.