Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered. Paper Size: 12.75 x 10 inches. Excellent condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by M. Georges Duhamel, the L'Académie française, Grand Officier du Tastevin, Paris; rendered by Daniel Jacomet, Paris; printed by l'atelier Jacomet, Paris, November 17, 1956. Excerpted from the volume (translated from French), M. Georges Duhamel from the L'Académie française, Grand Officier du Tastevin has received for all of his work, and in particular for his collaboration on Vins, Fleurs et Flammes, A Travers Nos Vignes, the literary prize of the brotherhood of the Knights of Tastevin for 1956, done and given at the Castle of the Clos de Vougeot in Burgundy, November 17, 1956. It was pulled CCCLXXX examples on vélin d'Arches spécial, numbered from I to XXX examples, including an original watercolor from Uzelac, a suite on Japan from the off-text of the book, a suite on Japon from the variants of Uzelac, and two original etchings, one signed by Bertin and the other by Uzelac. Numbers of XXXI in examples with a continuation on Japon of the illustrations of the book and the variant and an original etching by Bertin. Issues from LI to CCCLXXX examples on vélin d'Arches spécial. LEONARD TSUGUHARU FOUJITA (藤田 嗣治) (1886–1968) was a Japanese–French painter. After having studied Western-style painting in Japan, Foujita traveled to Paris, where he encountered the international modern art scene of the Montparnasse neighborhood and developed an eclectic style that borrowed from both Japanese and European artistic traditions. With his unusual fashion and distinctive figurative style, Foujita reached the height of his fame in 1920s Paris. His watercolor and oil works of nudes, still lifes, and self-portraits were a commercial success and he became a notable figure in the Parisian art scene. Foujita spent three years voyaging through South and North America before returning to Japan in 1933, documenting his observations in sketches and paintings. Upon his return home, Foujita became an official war artist during World War II, illustrating battle scenes to raise the morale of the Japanese troops and citizens. His oil paintings won him acclaim during the war, but the public's view of him turned negative in the wake of the Japanese defeat. Without significant prospects in the post-WWII Japanese art scene, Foujita returned to France in 1950, where he would spend the rest of his life. He received French nationality in 1955 and converted to Catholicism in 1959. His latter years were spent working on the frescoes for a small, Romanesque chapel in Reims that he had constructed. He died in 1968, not long after the chapel officially opened. Foujita is a much-celebrated figure in France, but public opinion of him in Japan remains mixed due to his monumental depictions of the war. Recent retrospective exhibitions organized since 2006 in Japan have sought to establish Foujita's place in Japanese twentieth-century art history.