Lithograph and stencil on vélin paper. Paper size: 8.27 x 10.83 inches. Excellent condition. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique, 1929. Published by Éditions Charles Moreau, Paris; printed by Atelier Daniel Jacomet, Paris, May, 1929. Excerpted from the album (translated from French), This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maîtres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. LOUIS MARCOUSSIS (1883-1941) was a Polish-French avant-garde painter active primarily in Paris. Markus studied law in Warsaw before attending the Kraków Academy of Fine Arts, and later moved to Paris to study under Jules Lefebvre at the Académie Julian. His work was first featured in a major exhibition at the Salon d'Automne in 1905. In Paris, he became acquainted with prominent artists of the School of Paris and writers in the cafes of Montmartre and Montparnasse. Impressionism influenced his early paintings, but from about 1911 he was part of the Cubist movement alongside other avant-garde painters like Picasso, Braque, Juan Gris and those of the Section d'Or. His work was shown in exhibitions in many European cities and in the US. In 1925 he had his first solo exhibition in Paris. As well as painting still lifes and musical instruments in the Cubist manner, he also produced portraits, views of Paris, and images from the Breton seaside.